Friday, January 8, 2010

New opportunities for Intro to AMS

We have opened two new sections of AMS 100-Introduction to American Studies. This is a principal course in Humanities, and a major requirement. The new sections follow an unusual schedule by meeting Mondays and Fridays only, and are taught by AMS doctoral student Stephanie Krehbiel. Stephanie's focus for the course will be to

use the lens of religion to explore some of these themes prevalent in American Studies. Using material ranging from ethnography to fiction, we will examine the role that religion plays in shaping individual identity, group identity, and our understanding of the meaning of America.


Enroll! Tell your friends!

Graduate Writing Courses available

Grad students, don't miss these opportunities:

Graduate Writing Support Program courses offered Spring 2010:

GS 700: Thesis and Dissertation Writing Class
GS 710: Thesis and Dissertation Tutorials
GS 720: Grant Proposal Writing
GS 730: Professional Publications
GS 750: Professional Writing
GS 750: Professional Writing for SPED students

Applied English Center courses offered Spring 2010:

ESLP 124: Professional Writing for Graduate Students
AEC 082: Classroom Communication for International Teaching Assistants


More info here: http://web.ku.edu/~gwsp/

Friday, December 11, 2009

Langston Hughes Professor on Rhetoric and Barack Obama


The Program in American Studies is a participating department in the Langston Hughes Visiting Professorship, which brings scholars of race and ethnicity to campus in honor of the famous Lawrencian.

This year, the Langston Hughes Visiting Professor, Adam J. Banks, will offer a course on African American rhetoric and Barack Obama. Click on the attached flyer to learn more about this exciting opportunity.

Honors Commons Course is on Jazz

The Honors Program at KU has announced its Commons course for spring 2010. This course dovetails with the Commons lecture series on jazz. Info below:

HNRS 492 Writing Jazz

87682 4:15PM – 5:30PM, TR, 106A SP, Mayhew, Jonathan

Jazz is a unique art-form that invites study from a multi-disciplinary approach. “Writing Jazz” will explore the historical evolution of this music from the point of view of literary and intellectual history, highlighting the ways in which poets, essayists, and novelists have responded to the innovations of major figures from Louis Armstrong, Billie Holiday, and Duke Ellington to Ornette Coleman and Wynton Marsalis. Virtually from its inception in the 1920s, jazz has been of great interest to composers, writers, and intellectuals on several continents. As a popular art with genteel and intellectual pretensions, subject to conflicting intellectual constructions, jazz offers multiple opportunities for teaching cultural history and critical thinking. The proposed course will not exhaust these possibilities, but instead concentrate on several key problems, especially the role jazz played in the development of the poetics of the Beat Generation and in the Black Arts movement of the 1960s. The major themes of the course will be cultural identity and hybridity (transculturation) and the dynamic of literary and intellectuals appropriations.

Wednesday, November 4, 2009

Graduate course in Native American literature and criticism

Check out the latest cross-listing in AMS graduate courses, from Prof. Stephanie Fitzgerald:

ENGL 790/AMS 808: Studies in: Native American Renaissance 1968-Present.
In 1969, American Indian writing burst into the American literary consciousness with the awarding of the Pulitzer Prize to N. Scott Momaday (Kiowa) for his novel House Made of Dawn. Taking its title from a Navajo chantway and fusing Native oral traditions with modernist techniques, it forever changed the course of American Indian writing. Since the landmark publication of Momaday’s novel, the field of American Indian literatures has grown exponentially. In essence, this course provides an overview of the construction of the field itself. We will focus on contemporary Native fiction and poetry from the “Native American Renaissance,” a movement than runs roughly from 1968 to 1983, into the 21st century along with an examination of current critical approaches and key debates in the field. Along with Momaday, primary texts may include those by Leslie Marmon Silko, Joy Harjo, Louise Erdrich, James Welch, and Craig Womack, among others. Secondary texts will cover key debates over Native nationalism, cosmopolitanism and ethnocriticism from critics such as Craig Womack, Robert Allen Warrior, Jace Weaver, Gerald Vizenor and Paula Gunn Allen.

Wednesday, October 28, 2009

Seminar on New Media

Over in History of Art, John Pultz has invited graduate students and advanced undergraduates to check out his spring seminar in new media. What's it about? you may ask.

...historical, critical, cultural, technical, and aesthetic issues surrounding new media beginning as early as the 1960s to the present. Lens based, digital, and electronic art forms will be considered, including but not limited to video art, computer art, digital art, light art & projections, digital photography, and art film.

Are you sold yet? Enough said. Click on the flyer.

Thursday, October 22, 2009

Know your history- now at a new time


Join AMS core faculty member and historian Jacob Dorman on this trip through over 100 years of American culture. Don't know much about history? Maybe what you need is this:

An examination of the major historical shifts, trends, and conflicts that have shaped the polycultural nature of life in the United States from 1877 to the present. In addition to tracing developments in literature, architecture, drama, music, and the visual arts, this course will investigate patterns and changes in the popular, domestic, and material culture of everyday life in America. Topics covered will include: African American cultures; circuses and world’s fairs; minstrelsy, ragtime, blues, jazz, and rock-and-roll music; the Holiness, Pentecostal, and evangelical movements; the rise of film, radio, and television; the growth of consumerism, suburbia, and urban ghettos; the advent of Cold War anticommunists and Beat Generation rebels; changing perceptions of gender, race, religion, and sexuality; the long 1960s; the civil rights, women’s liberation, and neoconservative movements; as well as war’s impact on American culture.

This course was recently rescheduled, so check the latest time.