
There are still seats open in AMS 112 American Identities- Honors for fall. This will be an outstanding opportunity to work in a small-class setting with veteran AMS instructor Dr. Ray Pence. Click on the flyer for more.
Announcements and scheduling information from the Program in American Studies at the University of Kansas


This course will introduce you to four major topics common to American Studies—nation, culture, difference, and power—as they relate to American popular music, past and present. Our studies of jazz, rap, country, rock, reggae, banda, punk, and other music will highlight the ways America is, and has always been, a continual negotiation among disparate voices, an interplay of dominant and marginal sounds that produces both harmony and discord. We’ll look at the many ways music plays into struggles over just what America is and just who is an American. You’ll be asked to participate through discussion, readings, short writing assignments, and a group project.


This course will examine the importance of, and the roles that gender, femininity and masculinity have played in shaping numerous aspects of 20th Century American popular music. We will study gender in relation to hip hop and rap, rock, country music, jazz, blues, and other genres. Central to this course will be how gender roles and perceptions are socially constructed and perpetuated in American culture. The intersectionality of race and gender will also play a central part in this course. This course will also place gender, masculinity and femininity in social and historical context. Power, politics and economics also play crucial roles in shaping the discourse surrounding musicians, their music, and American cultural conceptions of gender. This interdisciplinary course will draw on methods, disciplines and approaches including history, musicology, gender and race theory, English, African American Studies, Jazz Studies, semiotics and material culture studies.